Sleeping with sirens gossip review movie#
Originally an angst, rage-fuelled song of conflict now transformed into what feels like the badass, resounding soundtrack to the end of a movie where the movie hero walks into the sunset, climactic guitar riffs and all. Agree To Disagree has a real groove to it, giving a slight country rock essence in the beginning. Having this acoustic version echoes a restless feeling of escapism, and just wanting to leave forever.
Leave It All Behind was particularly praised, being the first single, for the band’s delve into the heavier sounds again that the lyrical side can almost become lost on you upon first listen with how intense the sound overall is. The acoustic tracks juxtapose from their original heavy instrumental beginnings and offer a more raw and exposed side to Kellin Quinn. How music carries forward a message is as reliant on the lyrical side as it is on its instrumental counterpart. This style of taking on songs with an alternative approach has become a praised aspect of the band that many fans who admire will find themselves in enjoyment with this record. Revising albums in hindsight can pave way for new ideas for songs, this isn’t the band’s first rodeo in acoustic extensions either as it joins their discography with Live and Unplugged and Madness (Deluxe).
Overall the album was a move into a heavier direction, in it’s extended-release we’re offered one original track Talking To Myself and three acoustic versions of Leave It All Behind, Agree to Disagree and Ghost. The album itself dipped back into the band’s post-hardcore roots after a brief departure with their album Gossip, resurfacing some delicious unclean vocals that could send you straight back to 2010. On the heels of their one year anniversary of How It Feels To Be Lost, SLEEPING WITH SIRENS are breathing new life into their beloved sixth studio album with a deluxe extension that brings new renditions and perspectives of emotionally moving tracks for fans to enjoy in this quarantine boredom.